Auditions
Auditions at Kanata Theatre are always open to everyone. Experience on stage is not necessary to try out for a role in a production that interests you. The audition process is always clearly laid out, so there are no surprises! The only thing you need is the desire to bring your character to life on stage and a commitment to working with a team to accomplish that!
Click on Current Auditions to check out what is in store!
Current Auditions
10-MINUTE PLAY FESTIVAL
10-Minute Play Festival
Featuring seven plays by local playwrights
AUDITION DATES AND TIMES
– Sunday, June 22, 2025 @ 1-5 pm
– Monday June 23, 2025 @ 6-10 pm
Auditions (and rehearsals) will be held at the Ron Maslin Playhouse, 1 Ron Maslin Way, Kanata.
Please enter by the rear door, off the parking lot.
Please arrive on time for check-in, administration, and incidentals.
REHEARSAL DATES
TBD
SHOW DATES AND TIMES
– Friday, August 1 – Saturday, August 2, 2025 @ 7:30 pm
– Saturday, August 2-Sunday, August 3, 2025 @ 2:30 pm
CHARACTERS
Last Stand at Southwatch
by Claire Bosnich, directed by Yonatan Ravzin (mentor Juli Heney)
Roles can be played by any gender.
- The Captain – 40+ years. Crusty, used to being obeyed. Cannot see the truth of the situation.
- Second-In-Command – 30+ War weary. Sees the reality and hopelessness of the situation but still follows orders and (reluctantly) supports the Captain.
- Young Recruit – Under 20. Young and highly idealistic. Dreams of glory.
- Scout – Close in age and friend of Second-In-Command. He knows the war is lost. Gets frustrated with the blind attitude of the Captain.
Tents Situation
by Sonia Mendes, directed by Jeff Scott
- Madison – A well-groomed woman – 25-35 years. Met Forrest through a dating sight (“Tinder”). Got her hair and nails done expecting a lavished romantic getaway and finds herself with Forrest at a remote camping sight instead. However, when danger strikes her Girl Guide training saves the day.
- Forrest – A rugged-looking man – 25-35 years. Met Maddy through a dating sight (“Tinder”). Wants to impress her with his he-man outdoorsy talents, which he is faking pathetically.
Getting There
by Carolyn Koekman, directed by Ilona Henkelmen (mentee Yolande Akl)
- Sarah Grace – Wife of Steve. A little jealous of her friend Ella’s newfound independence, (though it came at the cost of becoming a widow). Very frustrated with her husband Steve’s stubborn resistance to any kind of change.
- Ella – A friend of Sarah Grace. A widow. Looking forward to a weekend at her friend Sarah Grace’s cottage.
- Police Officer – Male. A cop doing his job. Would be somewhat intimidating in light of the soon to be revealed circumstances.
Menage à Trois
by Karine Charland, directed by Brian McManus (assistant Lynda Cronin)
- Jacqueline – Female older resident – 70+ years. Used to host a radio show.
- Charles – Male new resident – 70+ years. Old flame of Jacqueline’s. Former star of the theatre.
- Philippe – Male – 70+ years. Pronounces words with a French accent. Describes himself as a “well-traveled pilot”. Has a crush on Jacqueline.
- Nurse – Female – 30+ years. Cranky, domineering and a “giant prude”. Does not believe in sex after 40.
A Cut Above
by Juli Heney, directed by Beverley Brooks
In ancient Greek mythology, the Fates were three goddesses who determined the destiny of mortals, including their lifespan and the timing of their death. They were Clotho (the Spinner), Lachesis (the Allotter), and Atropos (the Inflexible).
Roles can be any gender.
- Clotho – Pleasant, long silver-grey hair, sits in chair spinning the yarn which creates the lives of mortals.
- Lachesis – Carefree, limber, roams about the stage somewhat dramatically. Likes to visit earth and interact with humans for fun and to relieve boredom.
- Atropos – Grumpy, mostly at desk writing. Atropos decides the manner of each death and records it in the book.
Study Buddy
by Elizabeth Nash, directed by Janet Rice
Roles are gender neutral.
- Alex – A student. More interested in asking out a girl in his History class, than studying
- Study Buddy – A perky robot. “Version 2.3, released in 2036”, designed to create a lifelike simulation of a study partner.
Cod Almighty
by Trevor Eggleton, directed by Martina Petersen (mentor Susan Monaghan)
Roles can be played by any age or gender.
- Bob – A fish. Believes he caught a glimpse of an afterlife after being caught and thrown back.
- Ken – A smaller fish. Bob’s friend. Believes that Bob was “brought up” to give a message to all fish.
- Frank – A larger fish. Grumpy, non-believer. “All there is, is swimming, eating, pooping and spawning. That’s it.”
BOOK AN AUDITION
All audition slots are fully booked at this time.
THE SPITFIRE GRILL
The Spitfire Grill
Music and Book by James Valcq
Lyrics and Book by Fred Alley
Based on the film by Lee David Zlotoff
Directed by: Clare Flockton
AUDITION DATES AND TIMES
– Tuesday, July 8, 2025 @ 7 pm, 8 pm & 9 pm
– Wednesday July 9, 2025 @ 7 pm, 8 pm & 9 pm
– Callback: Thursday, July 10, 2025 @ 7-10 pm
Please arrive on time for check-in, administration, and incidentals.
Each audition group will be needed for approximately 90 minutes.
Auditions are by appointment only.
REHEARSAL DATES
Rehearsals will start Sunday, July 20, 2025 @ 7 pm
(All auditions and rehearsals take place at Kanata Theatre, Ron Maslin Playhouse – 1 Ron Maslin Way, Stittsville, ON K2V 1A7)
SHOW DATES AND TIMES
– Wednesday, November 5 – Saturday, November 8, 2025 @ 7:30 pm
– Sunday, November 9, 2025 @ 2:30 pm
– Tuesday, November 11 – Saturday, November 15, 2025 @ 7:30 pm
SYNOPSIS
The musical depicts the journey of a young woman just released from prison, who decides to start her life anew in a rural town in Wisconsin. She participates in a journey within the town toward its own tenuous reawakening.
CHARACTERS
The show requires performers of a variety of ages (stage age 25 to 70), ethnicities, and gender. Everyone is encouraged to audition. Auditions are by appointment only. No walk-ups are permitted.
Percy Talbot
Our story’s protagonist. Pretty, if a bit rough-edged, her face declares the strength of her youth and a sadness beyond her years. She has a southern Appalachian cadence.
Stage Gender: Female
Stage Age: 25 to 30
Vocal range: Strong folk/country belt to “D”. some head voice required
Hannah Ferguson
Grey-haired flinty woman with a toughness that belies her years and a short, no-nonsense manner bordering on the bitter.
Stage Gender: Female
Stage Age: 70
Vocal range: Mezzo/alto chest range
Shelby Thorpe
A plain, soft-faced creature with a shy demeanor.
Stage Gender: Female
Stage Age: 30-35
Vocal range: Folk soprano with strong belt to “D”
Caleb Thorpe
Out of work foreman of the stone quarry. Earnest but frustrated working man clinging to a past he cannot recreate.
Stage Gender: Male
Stage Age: early 40s
Vocal range top: fervid, solid folk/rock voice to a top “G”
Jow Sutter
The sheriff. A young small-town policeman with a feeling of being stuck and regret for his unlived dreams and potential.
Stage Gender: Male
Stage Age: 25-35
Vocal range top: Strong folk tenor to a “G”, touches an “A”
Effy Kraynecks
The stuffy town busybody postmistress. She has a sharp tongue that serves as a protective shield for her very lonely life.
Stage Gender: Female
Stage Age: 40-50
Vocal range top: Mezzo/Alto chest range (carries close harmony)
The Visitor
A mysterious figure who never speaks. An actor with powerful eyes and a very strong sense of his body.
Stage Gender Male
Stage Age: 40s
Vocal range top: E5 – Vocal range bottom: C4
Extras
A collection of 4-6 extras can be cast to round out scenes
BOOK AN AUDITION
Please contact Kathleen Walsh (producer) at Kathleen.Walsh@kanatatheatre3.onmicrosoft.com providing 3 choices for audition times and your choice of prepared audition music
The audition form will be provided once an audition appointment is set.
Audition Notes:
- Please arrive a few minutes before your appointed audition time. The Production Assistants will support all those auditioning by providing in-take forms, taking photos, submitting music for the accompanist, answering questions, and generally keeping things organized.
- All those auditioning are required to sing a 32-bar prepared piece and read sides (short sections of the script) that will be provided once appointments are set. Singing and reading are mandatory for all those auditioning. A capella auditions, self-accompaniment, and karaoke tracks are not permitted. The Music Director may ask you to do a vocal range check as part of the audition process.
- Please bring 2 copies of your music. One for the accompanist and one for the musical director with the 32 bars clearly marked.
- Please wear clothes and footwear that you can move in comfortably.
- You are encouraged to do your own vocal and physical warm-up prior to the audition.
Notes from the Director
Auditioning for The Spitfire Grill is a chance to challenge yourself, have fun, and be part of something magical at Kanata Theatre. This show offers a fantastic opportunity to grow as an artist. The story is heartwarming, comedic, full of hope, and will be as rewarding for the cast as it is for the audience. It’s a great opportunity to shine in a role that challenges and expands your abilities.
To accomplish this, however, the time commitment needed is not small. Before you audition, please make sure you are able to fulfill that obligation. Care will be taken to make sure your time is not wasted, but it is essential that you are willing to spend the time required to produce a memorable and quality production.
Hope to see you all in Gilead!
Notes from the Music Director
Please prepare a 32-bar cut of your audition piece, which shows off your range.
Regardless of which role you’re going for, try to choose a piece that shows character and emotion.
Important: Make sure your sheet music has a piano part and not just a vocal line. If you bring a photocopy, make sure the entire bottom line of the piano score is intact. Check that the piano part is in a key appropriate to your vocal range.
Most of all, remember to breathe and have fun!
THE THIRD LIFE OF EDDIE MANN
The Third Life of Eddie Mann
by John Spurway
Directed by: Juli Heney
AUDITION DATES AND TIMES
– Tuesday, August 26, 2025 @ 7-10 pm
– Thursday August 28, 2025 @ 7-10 pm
– Callback: Tuesday, September 2, 2025 @ 7-10 pm
Please arrive on time for check-in, administration, and incidentals.
Auditions are by appointment only.
REHEARSAL DATES
Rehearsals will start Tuesday, September 16, 2025 and will be 2-3 x week
(All auditions and rehearsals take place at Kanata Theatre, Ron Maslin Playhouse – 1 Ron Maslin Way, Stittsville, ON K2V 1A7)
SHOW DATES AND TIMES
This play is Kanata Theatre’s entry into the Eastern Ontario Drama League’s One Act Play Festival. The festival takes place in Merrickville, ON November 7-9, 2025. The festival showcases 9 plays from theatres in Eastern Ontario. We will be assigned a spot in one of the three groupings either Friday night, Saturday afternoon, or Saturday night.
There is an awards brunch on Sunday, November 9, 2025.
We are also looking to stage the play at Kanata Theatre potentially at the end of November (TBD).
SYNOPSIS
Eddie Mann is not having a good day. He was a happy high school teacher for 31 years until he was forced to retire. Now, he’s a financial advisor who was just fired by his last client and is standing on the ledge of a hospital, six floors up, looking down. Here he meets Angel.
A sweet, funny play about life and the interconnectedness of people.
CHARACTERS
Eddie
A retired teacher turned financial advisor.
Stage Gender: Male
Stage Age: 50 to 60
Angel
A passerby. Should be physically flexible.
Stage Gender: Male
Stage Age: 30+
Earl
An orderly
Stage Gender: Male
Stage Age: 20-30
BOOK AN AUDITION
Please contact Trina Malcolmson (producer) at trinamalc13@gmail.com to book an audition date.
The audition form will be provided once an audition appointment is set.
Notes from the Director
This is a lovely one act play that will challenge our actors is so many ways. Most of the play has the two main actors on a ledge on the outside of a building, six floors up. This play is really about rigidity and flexibility – in thoughts and in physical actions. Our simple set will really challenge our actors physical intelligence while the dialogue taps into emotional intelligence. Both allow for humour, as the story unfolds. The part of Earl is a smaller, yet poignant one that brings the play full circle.
The ability to participate in the EODL One Act Play Festival with this play is extremely thrilling with opportunities to showcase the talents of the whole production Come play with us!
Become a member?
Don’t just try out for a part, why not join us and learn about and help with all aspects of the theatre. Become a member to participate in theatre activities and receive our monthly newsletter, Greasepaint, so you can stay informed about what’s happening at the theatre.
Note: All volunteers that work in the theatre are required to have a valid & active membership. So membership is mandatory for anyone who successfully auditions.